For the past few weeks, I have been a little obsessed with the track “Best of Friends” by Palma Violets. A few weeks back I underwent some paroxysm of music purchasing and ended up having to compose two posts about my acquisitions. The fact is that I found much of my new music forgettable–so much so that while running with @jake_turbo it took me a few seconds to recall that Okkervil River was the name of a band whose album I had recently purchased.
But this song: I’ve tweeted about it, I have tried to force my children to listen to it. I even brought it up in a class:
What is it I like about this band? There’s something old-school about the production value. The vocals are a bit raw; the music is a bit fun. And the sound altogether recalls some of the DIY days before digital music. There is an abandon and intensity to the song that seems part hardcore (the opening wail reminds me a bit of Fugazi’s “Repeater”) and a little bit punk (the song made me long for that old track “Time Bomb” by Rancid).
The rise of digital music, which has fragmented distribution a bit and has allowed additional artists access to the public, has resulted in a good deal of overproduction, slickness, and hollowness to music. Even bands that play ‘real’ music like Vampire Weekend seem too much the product of recording studio beautification. Even as I get older and hate noise more, I find myself attracted less to the packaged ‘purity’ of most mainstream music and longing for a dirtier sound.
Even if the dirt is manufactured, Palma Violets are giving me what I want.
Now, a band like Tullycraft might look askance on a punk/hardcore sound used to write love songs. I don’t. Can’t we get a little maudlin and mayhem at the same time?