Big Star: A revelation or This is an Elder J band for sure.

This was the song that really got me into the band, even if “In The Streets” is the most well-known. Also, when I was writing out the title I wanted to share how listening to the band was a revelation to me but also how I thought it was a band the Elder J would love right from the start while thinking of the long convoluted title of Dr. Strangelove. I got out of breath just writing that sentence. I always thought the singer said after saying he didn’t have a license that “it didn’t matter because I’m a big star” but actually, he says “if I’m a big star” which really plays into the band’s story. Spoiler Alert: Their name comes from the supermarket chain around Memphis, Tennessee.

Between new reggae, sunny pop music and more hip hop, it’s been a good year for me discovering new music and old gems. One band I’ve been into a lot lately is Big Star out of Memphis, Tennessee (from the semi-famous record label Ardent). Basically, their studio was pretty state of the art for the time and was bought by the epic Stax record label with the hopes of releasing some rock and roll because Stax was known for funk/R &B. But, I’m getting ahead of myself. I think the Elder will like this band because they have cool vocals/harmonies, limited but tasty instrumentation and very tight song structure. They are definitely not prog rock, are pretty obscure in general and were often covered by Elliot Smith.

Many will recognize this as the theme to That 70’s Show as covered by Cheap Trick. It’s a sweet song and my band actually covers it. It does surprisingly well in the dive bar scene.  Lastly, I have liked this band for a while and recently found a movie about them on Netflix entitled Big Star: Nothing Can Hurt Me. It’s a great flick and if you like this band at all from this post then you should check it out.

The major point of the movie is that although the band was incredibly talented both in musicianship and songwriting, they never attained large commercial appeal. It was a combination of poor distribution by the record company, changing band membership and no serious touring to drum up support for the group. The main songwriters of the group are Alex Chilton and Chris Bell who also both play guitar as well as other instruments. Chilton was the lead singer in a band called The Box Tops who had a pretty big hit in the late 60’s with a song called “The Letter” which you may recognize. I instantly knew it from the same source as some of the tunes from the other day which I heard often and loudly in various vehicles of my Father.

Chilton has a deep rasp in this song that you almost never hear on any Big Star Records. It seems like he just did it for that song and maybe he even chose to use his range in Big Star so no one thought he was trying to ride the coat tails of The Box Tops who were pretty popular for a short period of time. It’s also cool to learn that Chilton was in his teens when he gained this fame and it’s a surprise he kept producing music until his death in 2010.

After the break-up of the Box Tops, Chilton hooked up with Chris Bell who was a local studio musician of some renown, as well as Andy Hummel on bass and Jody Stephens on drums. They spent endless hours in the studio and produced #1 Record which was most likely a hopeful joke but ended up being ironic because even though it was adored by critics and fans who could actually find it alike, the record company did not market it or have any type of widespread distribution. This was pretty hard on the band dynamic and although one more album was produced, that is all the classic line-up did as a cohesive group. Chris Bell did his own thing for a while and also got into some issues with drugs/alcohol.

This is a song I think my brother will like for sure. It’s got simple and well constructed lyrics with limited instrumentation.  The vocals are nice too. That basically sums up why I think he will like them and I hope he does.

After that, they released one more album which was largely the work of Alex Chilton and the semi-famous producer Jim Dickinson who is the father of Luther Dickinson of Black Crowes and North Mississippi All Stars fame. It was pretty weird. Even the studio shots from the aforementioned movie were strange. Some people say it was due to Chilton’s declining mental state, others say it was drug use, and more than likely it was a combination of  both as well as other factors we don’t know about. It does have some pretty interesting production techniques and some cool songs like this one.

This song is great but very off center. I still really have little idea what it has to do with a kangaroo except that the lyric at the end is “I want you like a kanga roo”

After this album, Chris Bell was around for a few more years doing music and died way too young. Chilton had some wild years and got into punk rock, veering far from the heavily produced sound of Big Star. He had some success with it, but more importantly for this post, Big Star started to become a major influence on alternative bands from R.E.M. to The Replacements who actually recorded a song with Chilton’s name in the title. Even the use of the Cheap Trick cover of “In the Streets” for the That 70’s Show shows how wide the influence was of a band who never had mainstream success. The band modeled themselves after The Beatles and the Rolling Stones and they never will attain the popularity that those boys did. But when it comes to tight pop songs with a hint of weird towards the end, there’s nobody who beats Big Star, the ultimate hip obscure band. Give them a try.

 

 

New Music: Saintseneca, “Happy Alone”

“He who can talk to himself, will have no need of another’s conversation”
qui secum loqui poterit, sermonem alterius non requiret
Marcus Tullius Cicero

 

A few days ago, my phone pinged, I looked down and I received the following tweet from my old college friend and our sometime contributor, Another J.

 

 

Another J has known me just slightly longer than my wife has and since we were in a band together and have shared music for over a decade, he knows my tastes pretty well.  He nailed it with this one. I hear some Rogue Wave in the vocals, some Typhoon in the song structure, and some wild vowels that remind me of Frightened Rabbit.  There are male and female vocals. They use acoustic guitars in angry ways. There are backing vocals that go ‘ooh’ and ‘aah’ and they use a banjo in a non-abusive way (unlike, say, Mumford and Sons).

 

Here’s the lead single from the album:

 

 

The only problem is that the album comes out April 1st. I want it now! I listened to the whole album through NPR’s First Listen and I don’t think that this is the best track. It is actually a little conventional–in the way the Decemberists are in the song “July, July”, which is a great song, but rather poppy in comparison to the rest of their ouvre.  Here’s another Saintseneca track with an acoustic bass and some strangeness that reminds me again of some odd combination of the Decemberists and the early days of Arcade Fire (if they unplugged).

 

“Uppercutter”

The facial hair kind of kills me. I don’t feel hip enough to pre-order this album, but screw it. I’ll do it anyway.

 

Also coming in April: some new and fresh posts. I promise.

New Car, New Sound System, New Music: Tennis, “Marathon”

Recently, my wife decided that she needed a new vehicle. And not just any new vehicle: she decided that with two kids it was time for something other than a sedan. So, at the beginning of the new year, it was minivan or SUV or bust. And none of this made either of us too happy.

Anyone who has read much of this blog has witnessed my brother or I mention cars–the Ford LTD station-wagon or Tempo, my lovely Buick LeSabre, the hellbeast Chevy Caprice and stereotypical blue Toyota Prius, for me and my brother’s love/hate for his Impala and irrational exuberance for his Subaru. Like many Americans, we have led lives that make cars necessary and whose necessities are translated into a commercialized communication of class and value. To say that we weigh down cars with overdetermined meaning would be an understatement. In our lives growing up, a person’s car was an immediate snapshot of their entire person.

Again, then, it would be an understatement to say that car buying is hard for me before I even leave the houseNot only do I worry what the car I drive communicates to absolute strangers, but I get almost dyspeptic with anxiety about the implied if unspoken judgments from friends and family. To say that my wife and my current relative financial stability (if not good fortune) makes me uncomfortable is merely to restate the definition of the word. And, of course, my wife’s feelings about cars are completely the opposite.

Add in to this mix the horrors of car dealerships, model varieties and salespeople and you’ve got a potentially toxic year-destroying brew. So my wife and I negotiated: no more then three weekends. No more than five test-drives. We individually read ratings, compared lists, enlisted the help of a car-fanatic friend and quickly decided against the middle-aged surrender of a minivan. My wife’s car–a Honda Civic hybrid, possibly the worst car Honda ever made–left her desiring something better, both mechanically and aesthetically.

She bought an SUV. And a nice one. It is not a vehicle I can drive comfortably–given my deep-seated class issues–but the first time I drove it alone with the kids and got to test the sound system for real (my wife likes he music too soft for my taste) I fell in love with the Bose speakers. This car has beautiful sound. As with many new cars, it came equipped with XM Radio. I flipped the dial and heard the song “Marathon” by Tennis:

This had to be one of those moments of obscene serendipity. It was a Saturday morning, we were all mellow, and the sun was blazing in the way that the winter sun will. The chill in the air felt a little less sharp with the background of this piece, a solo-performance built on a classic 50s/60s doo-wop progression with some surf-rock licks. The some doesn’t grow quickly, but it lingers and fills the space until it ends and it feels strange that it is gone.  The ethereal vocals were a bright and nice complement to the brittle sun and suddenly everything just felt, well, right.

The lyrics of the first verse are about surprise and foreboding:

Coconut Grove
Is a very small cove
separated from the sea
by a shifting shore
we didn’t realize that
we had arrived
at high tide, high tide
barely made it out alive

When I read them now it seems obvious that the tension between the anodyne simplicity of the music and the menace of the lyrics should unsettle me–but the fact is that it doesn’t.  I am used to tension; I am accustomed to paradox; and I have no problem with the compromises and inconsistencies that over time make us all hypocritical versions of our earlier selves.

I don’t know if I will love my wife’s car but it doesn’t matter. Life–in all of its tension and insistence–has been good to us of late. I’ll just be happy with the music that comes on the radio when these speakers sound so damn good.

Blackberry Smoke: Awesome or Average?

It sounds like Skynyrd and good 80’s country….not a bad thing as long as it’s more Dwight Yoakam than George Strait.  We learned to play this song and it’s my favorite so by the group.  The progenitors of southern rock were the Allman Brothers Band and you can certainly hear that influence in this song, the solo specifically.  Also, damn does the lead singer have some serious side burns. 

Blackberry Smoke is from Atlanta, Georgia and the man with the burns is Charlie Starr, an excellent guitar player and front man. I go between really liking this band and thinking that they sound too much like modern country (which I hate). I’ve mentioned my love of honky tonk many times and I still listen to artists like Waylon Jennings, Hank Williams Sr. and Hank3 on the regular. I’m trying to find new bands I dig in any genre so I can start going to see live shows again more regularly. My band decided to all go see this band two weeks from today and, although I like a lot of what I hear from them, I am not completely sold.

Their covers, however, are basically amazing through and through so here’s a great example.

I think everyone who likes country of yesteryear likes George Jones, “the Possum”.  He passed away last April and his legacy will never die. “White Lightning” is one of his more famous songs and I think nearly everyone can agree that the occasional foray into moonshine is a good thing.

I think there is a real void in southern rock right now and a general lack of respect for it.  J. Roddy Walston and the Business come from the south, but are not what I would consider Southern Rock (but obviously they are still amazing).  Skynyrd has come to represent Southern conservatism and I believe that would make the late singer Ronnie Van Zandt roll in his grave. They toured a few years back for their album God and Guns which has a lot of thematic material on the loss of roots in America and things of that nature. I live in a small town in America and I feel the roots are deepening with the economic disparity. Also, they seem to forget the hippie leanings of the original incantation of the band and even the 70’s era song “Saturday Night Special” which suggests destroying all handguns because of their lack of application beyond murder, but I digress.

The Only D mentioned Manchester Orchestra as a possible Southern Rock band a while back and this song is not unlike a song such as “On the Hunt” from 70’s era Skynyrd.

I only hear a little Southern Rock influence in here, but a lot of excellent grunge motifs with a slice of down home Georgia grit.  Smoke is a lot more southern rock than these guys, but I can see some trappings of Southern musical sensibilities.  I will probably spend some time with this band and I thank you for the tip Only D.

I saw Blackberry Smoke on the Palladia live music channel playing at the Georgia Theater and that is how I learned who they were. I sat and watched the entire show, even recording it. The recording remains on my DVR list two years later and I still pick out tracks like the first one to listen to all the time. This band has the look of the third generation Allman Brother offspring and a sound that is country enough for Kenny Chesney fans and Outlaws enough for my tastes. They have some sweet slide solos as well as great guitar harmonies and a talented keys player with a solid rhythm section. Their sound dynamics are great and judging from their video, their live show will be fun.

This is like an exact homage to early 70’s Allman Brothers and Skynyrd and sounds almost perfect to my ears. Literally,  I hear parts of “Blue Sky” in there in the middle.  Lots of time to groove over to the beer tent and still be back for the second half of the song too.

More importantly, their live show seems great from the video and I think it’ll be a great time watching them. I think a band’s stage presence is equally if not more important than anything they record. I mentioned just recently, while confessing my love for J. Roddy, that I like the Rolling Stones more than the Beatles because the former has toured for most of their career while the latter hung up their live show spurs in the mid 1960’s after playing shows where the screaming fans made the music nearly impossible to hear.  You can have a band that produces true works of art in the studio, but if they can’t recreate it live, that’s a big turn-off for me. Kurt Cobain took special pains to not do a lot of overdubs while making Nevermind so they could still play all the jams out.

This sounds very much like the old country music I love and  references bourbon which I also love.

The music I’ve heard by this band is pretty good and I think their live show will sell me on whether I think they are highly average or awesome. I am going with the lead singer and lead guitarist in my band. It’s the first time we have all gone to see a show together since Waylon Speed and I’m really looking forward to it. My days of going to see shows all the time have been gone for a while and I think if I want to push my band forward and my musical tastes, I need to start doing this again. Thus,  I will provide you a full report of the Blackberry Smoke experience after I go and will leave you with a cover by them of quite possibly my favorite song by Willie Nelson.

The lead singer does repeat himself here and it must be a recording era, but you get the point that this song is great. I love the pedal steel and I wish they had it all the time.  They do an equally good job with honky tonk country as they do with southern rock. I hope this show has a lot of ladies who love country AND southern rock, I think we’d get along great.

Favorite New Discovery: J. Roddy Walston and the Business

This doesn’t sound like a lot of the piano driven rock that J. Roddy and the Business is known for, but it is their newest single and a certifiable jam. It could just be my rudimentary knowledge of music, but it sounds like the main guitar hook was composed on a piano or at least would sound pretty cool played on one. Maybe even the tasty licks of a Hammond B-3 organ?

Right around my case of the Mondays and the subsequent breaking of my muffler, I got really into the Baltimore band J. Roddy Walston and the Business. I included them on my best of 2013 list and this wasn’t very accurate because I listened to them once back in the spring time and not again until the aforementioned. My friend who teaches science played them for me during an evening spent fishing and I recognized it embarrassingly from a shitty Mark Wahlberg movie I’d not finished watching during a rare day off. As always with me, my favorite thing about the band and what I find most striking is their incredibly unique sound. It’s a great mixture of old school Rock and Roll with the loud/soft dynamics of a grunge band ripping off The Pixies in an honest and ill way.

This has been my favorite song for weeks now. My favorite moment is when they harmonize on “like slavery she saidddd” and the subsequent marks that they hit those notes. I love this band because their heavy musical songs are amazing as well as these slower songs that depend on vocal delivery with minimal instrumentation. These are signs of a versatile band which whose recipe is awesome.

They actually not a new band at all and have been in existence since 2002. They hail from Baltimore, Maryland and within a month of moving to a house in that city, the lead singer was mugged at gun point. I guess The Wire was correct in its portrayal of the former murder capital of America, the illustrious title that has now been taken by Flint, Michigan, but I digress.

J Roddy grew up on a steady diet of gospel and country music interspersed with a love of Led Zeppelin,  the Rolling Stone’s Ian Stewart and the immortal Leon Russell.  The additional listening to glam rock superstars like T. Rex and obviously influenced by the grunge rock he couldn’t avoid in high school creates this amazing mixture of sounds that is totally unique. It’s been a long  and difficult road for this band, but I just heard the song that introduced this post from their new album on the local alternative rock station and I have a good feeling they are about to blow up.

This is a song that J. Roddy arranged after his Grandmother, loosely-related to the Grand Ole Opry, played him this song as a youth. It’s one of their first widely known tunes because it was used on an MTV show about cage fighting. The original title was something like “Sally Let your Bangs hang down” and has come pretty clear sexual connotations so I find it quite humorous that his elderly relative played him the song. This is my least favorite of his work I’ve heard, although still awesome and indicative of where they started.

For the last ten years, the band has traveled around the country playing music in a Church van they have dubbed “the Diaper” because it’s “big, white and carries all their shit”. They even left the name of the Church painted on the side of the rig in the hopes that it will lesson the chances that they get pulled over.  J. Roddy transports a 300 pound Yamaha traveling piano on tour, saying ” I play piano. You’d never see a guitar player playing a keytar”. Their reputation has been built on an energetic live show that the New York Times said made “James Brown look lazy”. At one show on a boat in New York, J. Roddy got so fired up that he ended his set by throwing his piano stool out a window, narrowly missing a bystander before it crashed into the East River. They are road warriors, through and through, and no sign of 1920’s style clothing.

This song is another prime example of the loud/soft dynamics I mentioned early as well as a very vintage feel in both the sleazy Exile on Main Street rhythms and epic yet succinct guitar solos. Ok, they got going a little bit live here, but it’s a sweet jam so it’s ok. By the way, this performance is from Lebowski fest which they played this year and it makes me think that perhaps the Elder and I should write a post about our varying opinions on the film using the indisputably awesome sound track.

In an age where everyone steals samples, identities, and styles from everyone else, it’s refreshing to find a band that wears their influences on their sleeves while still forging their own sound/style. I read some reviews of their concerts online and the common thread seems to be that their shows are amazing and most people did not expect the balls to the wall rock of the band when they opened up for the Lumineers on tour. People went expecting this pseudo-bluegrass folk music and saw this badass band open up instead, which is probably why they’ve been gaining some exposure. I know the live show of a band is a huge part of how good I think they are and a major point of argument on why I think the Rolling Stones are a better band than the Beatles, but I digress again.

This is such an obvious nod to the blues-rock crunch of the Stones and Zeppelin  great enough that it deserves the comparison. I didn’t even know the band had a song with slide guitar! 

I need to see this band live. There’s no tour date in the far Northeast yet, unless Rochester, NY counts and it doesn’t, but I’m sure the radio play of “Heavy Bells” will bring them at least to Boston in this calendar year. I will gather up troops and head down 95 to see this band and I hope this post has helped in some small way to spread the sheer awesomeness that is J. Roddy Walston and the Business. I really hope the Elder J likes this band because hopefully I am headed south in a few weeks to visit him and if things progress as they have, I’ll still be listening to this band non-stop. So crank these tunes up this morning and jam hard to Mr. Walston. Rock and Roll will never die as long as bands like this keep grinding on the road and keeping it real in the studio.

A great enough jam that I don’t care that I’ve included it in at least one other post, probably two. Go see this band, buy their record, and wile out when you hear them.

New Music VII: Gifts That Keep On Giving

It’s been awhile, but I’m bringing back some new music (and maybe a little sexy, who knows…) to share with everybody (the music at least). For a few of my other posts I noticed that some of the bands I showcased didn’t exactly have a extensive body of work. So for my first post of 2014 I will provide bands that have at least some sort of album out there for purchase, or torrent, or that fun legal grey-zone of ripping audio mp3 from YouTube. Blue-balling you guys with singles from underground movements from southern Idaho can wait until next time. This is also a pretty “rock-centric” group, which is of course right in my wheelhouse.

Band: Smallpools
Song: Dreaming

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Albums of (My) year 2013

Last year I made a ranked list of the albums I bought during 2012. Since I enjoyed doing it and find pleasure now (and, as often, surprise) when I turn back to it, I am returning to this again. Though I distrust lists and the distorting aesthetic of list-making, I nevertheless find it to be useful to look back on the year to put it into perspective.

This year, I have decided to make things a little more interesting (or maybe just topical and snarky) by ordering the numbered list into roughly associated groups. Enjoy.

Group 1: I don’t know why I bought these albums

19. The Dunwells, Blind Sighted Faith

I believe now that I was experiencing some temporal rift or suffering some sort of mind/body crisis when I heard this song on the TV and liked it. In honesty, I think that the cooking fan was on, the kids were screaming, and I had a cold. I’ve said all that before. This song is overproduced. The album is not very good. I won’t be listening to it again.

18. City and Colour, Bring Me Your Love

I was in a similar state of distraction when I first heard this song at the gym. When I wrote about it, I really thought I liked it. And then I listened to it when I wasn’t oxygen deprived and trapped on a treadmill. I don’t like it. The album is slightly better than the last entry, but not great.

17. Biffy Clyro, The Vertigo of Bliss

This band was suggested to me by iTunes. I don’t know why I keep falling for that, but I actually think this crew has some potential. The sound is a little too polished–another indie band that’s a bit overproduced–but it does seem creative enough that I will actually listen to this album a few times. There is some Superdrag and Eels-lite aura to the sound that makes me think I may end up liking it.

 Group 2: Disappointing Albums by Bands I like

16. They Might Be Giants, Nanobots

Oh, TMBG, I can’t stop loving you. The songs on this album, when they don’t seem formulaic, are small and uninteresting. I think that the band needs a long break or some type of epiphany. Again, I will probably buy albums by this band every opportunity I get, always hoping that they’ll surprise me again. But, then again, maybe the problem is me. Maybe I have moved too far away. 

15. Arcade FireReflektor

I really liked Arcade Fire’s first album. Neon Bible was pretty good. The subsequent two albums are musically bloated and lyrically stale. I keep listening to the earlier ones. I have tried to see if this album would grow on me, but it really hasn’t. It just seems, well, unfocused and forced.

14. PhoenixBankrupt

Lately I have been listening to “Lisztomania” a lot because my  son loves it and my wife just discovered Wolfgang Amadaeus Mozart was a great rock album. Bankrupt is part of a trend I have noticed in indie-rock bands, some sort of a strange rush to dance and synth-music (See Tegan and Sara’s Closer or Arcade Fire’s latest). I still find this album annoying after a few months. I wish they’d strap their guitars back on and make some recordings with a four-track. These guys have a good sense for music–it is just getting blotted out by all their toys.

Group 3: Good Albums by bands I like

13. Tegan and Sara’s The Heartthrob

Hearthrob, the title track from this album, has a rhythm but not always a beat. That’s an example of a sentence that sounds nice but is essentially meaningless. The title track is fun, but the collection as a whole doesn’t have the spit and vigor of the first few albums. I will not lie about my disappointment in this album. I know I keep announcing how much I love this band. The overlapping harmonies are still there, but the sisters’ voices just seem too small for the magnitude of the sounds thrown together on this album. Like Phoenix and Arcade Fire, I wish I could pay them to record an album with just a few instruments.

12. JunipJunip

So, Junip made a big splash lately when its song was used in promos for the Breaking Bad finaleI have loved the music of Jose Gonzalez for a long time. Junip is pretty good music–the extra production in comparison to Gonzalez’s seminal solo work is a little muddy and distracting; in addition, the composition of the songs is a bit unfocused as well. And, yet, this is a fine band with a fine sound. If you’re screaming because Phoenix’s new album is aurally victimizing you, listen to this as an antidote.

11. Why?Mumps, etc.

Why? is one of my favorite bands. If I can get my crap together, I will review the wonderful album Elephant Eyelash in the new year. No band I know of combines different genres and topics so honestly and inventively. This band is one of the top 10 most unique and interesting bands performing today. But, for some dumbass reason, I hadn’t bought this album. So I did. And I don’t regret it. It doesn’t get to be higher on the list because this is my damn list and I want to be arbitrary

Group 4: Albums that Deserve another Listen

10. Little Green Cars, Absolute Zero

I geeked out last year over the advanced single from this album, “The John Wayne”e. I loved it almost immediately. The full album fails to replicate the sound and success of that single, but I can’t quite agree that I am disappointed.

This is another album I think might grow on me if I give it the time. This song (“My Love took me down to the River”), for instance, makes me think of something gospel-influenced lodged between Rogue Wave and The Red House Painters. Not a bad place to be.

9. The Last Bison, Inheritance

“Inheritance”, the opening and title track is exciting and dynamic, but it only lasts a minute or so. This is another band I got really excited about when I first heard the EP from this band (from when they were just called Bison). This album has some forgettable songs. In fact, most of the memorable songs were on the EP.. Since the album was a bit of a rushed re-release of earlier work, I have hopes (perhaps unfounded) that the next album could be something special.

8. Okkervil River, Silver Gymnasium

.

Okkervil river is musically interesting and lyrically almost too honest. I can’t say that I love this album, but I think I might. I bought their album The Stand Ins years back and listened to it twice. So, if prior performance is an indication of future performance, this is not a good sign. But my friend Another J keeps asking me about this, so I am going to give it the ol’ school try.

7. The Dodos, Visiter

What the hell is wrong with me? I know that this is a decent and interesting album, but I never listen to it. The lyrical and musical combination strikes me as something somewhere between the best stuff of Of Monsters and Men and the least emo Ben Gibbard solo material with some Grizzly and Bon Iver thrown in for good measure. There might even be some less-than-lyrical Belle and Sebastien stuff going on here.

Group 5: The Contenders

6. Macklemore, The Heist                

This is not the best album of the year. This is just an album we posted four times about and which I listened to way too many times. Macklemore’s style is, I think, quite forgettable and he’ll probably just be a footnote in later years. But I may be wrong about that. If you want to know far too much about what we think about Macklemore, read one of the multiple conversations.

 

5. Caribou, Up In Flames

I wrote about finding this music late on the radio when returning from the airport. This is great music to get lost to and there really isn’t that much else out there that is the same. Thank you, Caribou. Thank you. It doesn’t get to be higher on the list because It is too old and I can’t persuade anyone else to listen to it.

 

4. Jaimeo Brown, Transcendence

To be honest, I haven’t listened to this nearly as much as it deserves.  Whatever the case, I was really excited when I downloaded it. I recognize abstractly that it is a great album and musically impressive. I just don’t find it compelling. But it is good. Just not good enough.

 

3. Palma Violets, 180

This band made me think of Rancid and Fugazi with some more melodic and inventive rock thrown in there. I love the lead song from the album. And I think I listened to the full album three times in two days. Palma Violets won my attention for the whole week.Over the past week or so, my obsession has waned. So, for that reason the album rates a bit lower than the others.

2. Frightened Rabbit, Pedestrian Verse

All year I have been listening to Frightened Rabbit. Any one on the albums could have served on this list. I use this one because it came out this year and I have really grown to love this album despite some initial reservations.

1. Typhoon, White Lighter

Typhoon’s White Lighter brilliant and manic. It is one of the better albums I have bought in a long time.The hard part is that it makes me want to die, Of course, I have listened to this record almost every day since I acquired it.

For the creativity, the gift of the few albums I have listened to by Typhoon, and the certainty that I will be listening to this album for a very, very long time, I am happy to say that this is my favorite album of the year.