The other day I heard the name “Aisha” a few times in public. It wasn’t the name that struck me so much as the pronunciation–the trisyllabic “Ay-eee-sha” instead of the di-syllabic dipthonged “Ay-sha”. I found that I was shaking my head and a little confused because suddenly I was hearing a song in my head that was nearing 25 years old.
Before Kris Kross made us jump and long before Lil’ Wayne or Lil’ Bow Bow came on the stage, the tween rappers of Another Bad Creation were rocking my world. As embarrassing as it is to recall now, I can distinctly remember listening to this album in alternation with DJ Jazzy Jeff and the Fresh Prince’s Summertime. The brightness and optimism that can only belong to child stars is infectious. This song in particular reflected the simple infatuation that infects those just on the verge of adolescence
Another Bad Creation’s “Iesha” was better than their hit “Playground”, but both songs catapulted them into a sudden and surprising fame consisting of largely suburban fans, a commercial tour-de-force that followed in the footsteps of New Edition and New Kids on The Block. Who knew that the same kids would be listening to Dr. Dre and the Wu Tang clan just a few years later?
Another Bad Creation was the discovery of the erstwhile producer and sometime performer known as Michael Bivvins, the genius behind Bel Biv Devoe, a core member of New Edition and the manager creator of Boyz II Men. Like many performers from the period, Another Bad Creation disappeared. Like my youth, the act broke apart in 1993 and was never heard from again. If anyone can tell me what happen to its members, I’d love to know. Wikipedia is ignorant.
On another note, there’s a very famous song called “Aicha” first performed by Jean-Jacques Goldman. I don’t know this song because I have some love for or knowledge of Algerian popular music. No, I know this song because of the web wonder Gellieman, whose artistic lip-syncing of this song brightened my day before the dawn of Youtube:
Gellieman. Dance. Dance, Gellieman, Dance.
Here are the lyrics. The first few parts of the song are a bit histrionic in performance. But when Gellieman dances, the whole world stops to watch
So sweet, so beautiful
Everyday like a queen on her throne
Don’t nobody knows how she feels
Aicha, Lady one day it will be real
She moves, she moves like a breeze
I swear I can’t get her out of my dreams
To have her shining right here by my side
I’d sacrifice all them tears in my eyes