Note: Today we bring you yet another post about Macklemore–who recently won the MTV VMA for best Hip-Hop artist–from a guest who has been a reader of the blog for a little while and a friend of the elder for much longer. The debate on Macklemore’s place in hip-hop seems to be flowing rather than ebbing, so we can’t promise we won’t chime in on the subject again.
For now, here’s our friend and another teacher-extraordinaire, The Mr. and Only Moe.
I must start by saying that I grateful to the brothersj for allowing me to be a part of their endeavor, especially since my introduction is on a topic for which they have both sufficiently posted already. Before delving deeper into Macklemore and Lewis’s The Heist, some transparency is required. I agree with the elderj that my leftist political leaning effects my perspective on this album, but also I have found that the way in which I come by an album, where I am at in my life, greatly effects my affinity for an album as well, sometimes more.