Rachel, Our Father, and Me

 

I don’t know. No one ever knows his own father himself.

οὐκ οἶδ’· οὐ γάρ πώ τις ἑὸν γόνον αὐτὸς ἀνέγνω. 

Homer, Odyssey 1.201

 

“To remember the past, you tell a story about it. And in recalling the memory, you tell the story again.  It is not always the same story, as the person telling it does not always want the same things….As children become better storytellers, they become better rememberers. But their memory system also becomes more susceptible to distortion.”

Charles Fernyhough, Pieces of Light, 98

 

When our father died, it was as shock both for its suddenness and for the cliché we all suffer when we lose someone who was part of our life: we (thankfully, in a way) don’t know how to cope with the erasure of a human being, the deletion of a presence that was part of our lives for their entirety.  But in writing about him over the past few years, I fear that I have done a disservice to him and to us.

In keeping to the age-old injunction of not speaking ill of the dead, we have erred too far and have created a fictionalized father, a man who in our telling is far closer to the father we wish we had known than he ever was. There is nothing wrong with such a hagiography on the surface, but in a world in which biology is ever more carrying the weight of destiny and where the stories we tell have always shaped the way we view and judge ourselves, such distortion through omission can have dangerous effects on what we believe to be true about our lives and our decisions. If I willfully change the way my father was and completely elide his faults and his fears, how can I be sure I won’t make the same mistakes when I tell my own stories?

Neuroscientists have shown (as some psychologists have suspected) that the act of recalling a memory exposes it to distortion. Memories recalled often become part of the stories we tell about ourselves and their details will change to suit both the needs of the tellers and the audience. I don’t want to write to slander my father, but I want to give him the fullness and complexity he deserves as a human being. We are all slightly less-than-stable compromises of divergent desires and often destructive beliefs. Learning to accept the contradictory strains in our loved ones is necessary to acknowledging fully the often hypocritical tensions in ourselves.

Elliott Smith, “Memory Lane”. “All anybody knows / is you’re not like them / they kick you in the head / and send you back to bed.”

When my father died, I expected some trouble. He was a man who it would not have been surprising to discover was leading other lives. He lived a rich fantasy life—always dreaming that he would accomplish something great, that he would end up someone different. It fell to me to try to make sense of some of the messes he left behind: years of unpaid taxes; a maze of debt and collection bureaus; accounts tied to strange addresses; unopened summonses and bills.

I had the strange voyeurism of entering into my father’s email account, at first to contact some business associates who owed him money, and later to sift through his last few weeks of correspondence to try to figure out whether or not he knew how sick he was. (He did. Forty-eight hours before his death he sent an email to his older sister, writing “This is the sickest I have ever been.” He still waited another 36 hours to go to the doctor.)

This type of textual analysis was probably my safest way of handling grief. As a student of literature, I practice the ancient art of Philology, described once as “the art of reading slowly.” No amount of slow reading, however, could brace me for all the discoveries I’d make. Infidelity, I could handle. Debt and delinquency? This had been the story of my/our lives. But during the process of arranging for my father’s funeral, writing a eulogy, and trying to make an initial reckoning of his accounts, I started corresponding with one of my father’s business associates, a man I will call Felix.

Chvrches, “Lies”. This will make sense in a minute.

Felix emotionally and generously confided in me that my father had become a close friend, in part because of his empathy regarding Felix’s daughter. His daughter had suffered from an “unknown progressive neuro-muscular disorder causing severe dystonia” and the pain she endured alongside the uncertainty of her diagnosis (which seemed to indicate a shortened life) wracked him and his family with the kind of suffering that only parents can imagine.

Felix made it clear that my father changed his life because he was always there just to listen and because he inspired him with his love of his family and his expressions of religious faith. He also inspired him, Phil revealed, because he shared with him his own story of loss, the loss of his daughter Rachel.

We never had a sibling named Rachel. But I didn’t say this to Felix because he had forwarded me an email from my father where he wrote

“Every day I wake up thinking of my daughter –Rachel – go to bed thinking of Rachel. We had 4 children – now 3 but the blessings and gifts they have brought blow my mind […] but always Rachel is the background- never goes away- but I have still have joy and overwhelmed with blessings.”

Felix assured me in the email that he had never mentioned this email to anyone. Even as I type this now I can smell the stale smoke in my father’s office where I read this for the first time. I remember calling my wife in to read it. Under the pall of our grief, we couldn’t process this, we couldn’t make sense of what it meant or whether it was possible. Soon, like my father, I was waking up and thinking about Rachel.

A

Typhoon, “Young Fathers”. Nothing has made me think more of what my father was like as young father than being a father myself.  Did he change my diapers? Did he hold me the way I hold my son and think about the terrible and beautiful brevity of life?

My mother had a miscarriage before me and after me and, as family mythology goes, was told she wasn’t able to have children. When I was younger and the whole family was more religious, they told me (the oldest) that they hadn’t had a child until they joined a new church and started to pray. I was baptized and confirmed in that church.  The minister was my godfather. I have a picture of him holding my daughter.

But when I asked my mother, in a probably less than sensitive way, if there were any other children or if they had planned on naming one of the miscarriages Rachel, she thought it was absurd. It didn’t seem to me likely that my father had spent years brooding in secret over a miscarriage when he had three healthy children. But he was a man who looked good in a disguise.

In the days before the funeral, I imagined myself as part of a future story. In my fantasy, I interviewed distant relatives and friends about his past, the type of people who might know about a lost child, about a baby born out of wedlock whose brief existence had been hidden from my mother. It was not inconceivable to me that such a thing might have happened. As the long hours past, it seemed more than likely that this was Rachel: a brief alternative life in the past whose loss had festered in my father as a metonym for all of the other lives he could have lived. Or, as that fourth child, that extra helping of happiness that might have tipped the scales in a middling life.

The Beatles, “Nowhere Man.” A ‘friend’ in high school once told me that this song should be my anthem. It was cruel, but it was true: I have long lived only half-engaged with those around me. My father was the same. Or more.

As the first step in this imagined memoir (the type of rangy self-discovery at home in The New Yorker), I emailed a friend of my father’s, a woman whose name would bring explosions of rage to our home, and asked her directly if she knew anything about it. She, who had known my father differently but quite well for years, said she would have been shocked if there were or had been another child, that my father loved his children so much that it would be inconceivable that he would have never mentioned Rachel. And, then, she added enigmatically, “He did say last summer that he would have named your [daughter] Rachel, if it was up to him.”

After my father’s funeral, things spiraled downhill for my family. We eventually got most of the finances under control (although we’re still working on it); two new grandchildren were born over the next year; and my mother suffered some of the most harrowing effects of grief. I left the issue of Rachel aside to protect her and us from the uncertainty. But I never stopped mulling it over.

Muddy Waters “Fathers and Sons”, Appropriate and inappropriate for this post. But my father would probably appreciate that.

I eventually concluded that there were three possibilities: (1) that my father had emotionally connected with a miscarriage, naming it Rachel and keeping the pain to himself; (2) that he had fathered another child who died (or was estranged); or (3) that he had made up the child drawing on his experiences to empathize with Felix. Given the absence of any evidence for the first two options, I decided that the last was most likely.

What does it mean to believe that your father was the kind of man who would fabricate a dead child in order to make a connection with someone? Is this even possible? What was the name Rachel to him and why did it recur in different contexts?

My father was a man cut off from many people by his deafness and his aloofness (probably interconnected). He was also capable of long-term deceit (for self-defense) and short-term confabulation (to try to keep others happy). If he did manufacture the memory of a child, I am almost certain he did it with a full range of emotions drawn from the rest of his life and that part of him wanted to believe it. We make up stories all the time. We all bend the truth and introduce new details into old stories. If he invented a Rachel to console Felix, he did it because he wanted to feel with him, to be his friend, and through grief to be more fully human.

Pearl Jam “Better Man”.  This song has always made me think about my father and myself.

But perhaps this conclusion is still just more evidence of me creating the father I wanted to have rather than acknowledging the man he really was.  To some, inventing a dead child might sound diabolical. But, given the other options, it speaks to me of someone who wanted to feel, of a man who into his last days was trying to be something real.

And this in turn is a lesson on the complexity of what makes each one of us who we are.

 

 

Pets Playlist

I had to put down my golden retriever Remy on Wednesday because lung cancer had sprung up out of nowhere and taken over his body. I’m incredibly broken up about it and it’s taken all of me to just keep going to school and practicing music. It was our Dad’s dog that I inherited when he passed. Like this post says, he had a rough time following his death and I should consider myself lucky to have had the three plus years that I did. I’ll write a smaller post about this soon, but now the wounds are too fresh.  One thing I am sure of is that Remy has found my Dad and I’m sure the reunion was a happy one.

(Note: This post was composed after my brother told me about his cat)

My brother had to put down his cat today and I feel terrible for him. He never gets real emotional about things which is why I feel so bad because I know this kills him. Personally, no one liked or was liked by the cat except him which is why I feel so bad for him. It would routinely scratch me when I tried to pet it back when I was a freshmen in high school and would visit my brother at his undergraduate college. The fucking cat survived more than a lot of people I know can, including two big moves, a house fire, and multiple trips to the vet in.  She was tough, just like my big brother, and we should all mourn her.

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Acoustic Music on Youtube: Imagine Dragons and Three Years Later

It has been a full year since the first time I heard “It’s Time” by Imagine Dragons. And although part of me wants to reject the band because of their popularity (and, yes, that is the less mature part of me, I think) I can’t stop liking the song or enjoying different renditions of it.  A great deal of this has to do with the new memories I have gained in conjunction with this song. And most of this has to do with whom the memories surround

My three-year old daughter keeps asking for this song. Even a year after she first heard it, she loves it–especially this acoustic version. And a few weeks ago, while listening to the lyrics and watching her and my son sing along, I was completely undone. Because, you know, its the undoing time of year.

I don’t want to be the guy who spends the same night (or series of nights) every year tipping back drinks in honor of what has been lost.  I don’t want the end of January to be a black hole on the calender. I want to fill the year with new memories, to graft skin over the scar tissue in some pathetic search for normalcy. But, the scar tissue is never truly gone, is it?

This isn’t going to be another maudlin entry about what it has been like to pass another year without our father.  I have accomplished that far too many times. The people we live with and then without are the ghosts who accompany us to our own graves. We see them in our faces in the mirror, in furniture and objects around the room, in the simple action of turning over the soil from winter for the new spring. The act of living needs death for its meaning(s). But, as my brother said today, it is through living well that we honor the dead.

Yes, another year has past since the untimely death of our infuriating, irascible, inimitable, and beloved father. This year I did my best to be somewhere different (Washington, DC) doing different things. But as the day and the week goes by, he’ll be in my thoughts. He is almost every time I look into his grandchildren’s faces.

And this is the way of things.

Lou Reed takes the Cosmic Walk on the Wild Side.

Probably my first introduction was a cover of this song by Perry Farrell’s band Porno for Pyros on the Cable Guy soundtrack. Weird movie, but a great cover.

In addendum to my brother’s post, we say goodbye and remember the great Lou Reed this week as he passes on to the next world.  I think I have spent a bit more time with Lou then my brother, specifically though the music of the Velvet Underground and his solo album Transformer. He will be remembered as one of the most influential musicians of the 20th century and one of the best lyricists ever. Brian Eno said once that only thirty thousand copies of the first Velvet Underground were sold but everyone who bought a copy started a band. This means a whole lot more to me than Billboard charts and Grammy awards.

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RIP Lou Reed

Lou Reed, the founder of the Velvet Underground, passed away recently. Later on, we’ll post about his legacy, but I didn’t want too many days to go by without marking his passing.

(On second thought, I might not ever write a piece on him, Chuck Klosterman published a pretty nice one in Grantland today)

I can’t say I was the biggest Reed fan–I recognized his brilliance and influence on later artists he loved but never really listened to his music until later in life.  But here’s a song I always loved.

Sometimes I feel so happy,
Sometimes I feel so sad.
Sometimes I feel so happy,
But mostly you just make me mad.
Baby, you just make me mad.
Linger on, your pale blue eyes.
Linger on, your pale blue eyes.

Thought of you as my mountain top,
Thought of you as my peak.
Thought of you as everything,
I’ve had but couldn’t keep.
I’ve had but couldn’t keep.
Linger on, your pale blue eyes.
Linger on, your pale blue eyes.

If I could make the world as pure and strange as what I see,
I’d put you in the mirror,
I put in front of me.
I put in front of me.
Linger on, your pale blue eyes.
Linger on, your pale blue eyes.

Skip a life completely.
Stuff it in a cup.
She said, Money is like us in time,
It lies, but can’t stand up.
Down for you is up.”
Linger on, your pale blue eyes.
Linger on, your pale blue eyes.

It was good what we did yesterday.
And I’d do it once again.
The fact that you are married,
Only proves, you’re my best friend.
But it’s truly, truly a sin.
Linger on, your pale blue eyes.
Linger on, your pale blue eyes.

Linger on with us, Lou. Linger on.

(Back to) Birthday Songs

As this post goes live, I will be thousands of feet above the ground in an airplane headed for the pacific ocean. On this, my 35th birthday,

Yes, looks peaceful. But have you been on a three hour flight with toddlers?

Yes, looks peaceful. But have you been on a three hour flight with toddlers?

my wife decided that we should all take a break from the oppressive heat of our adoptive state and take our children to California, to see the ocean for the first time.

I wrote the post below in anticipation of my first birthday after my father passed away. That first year was both rough and revelatory–I lost a father, became a father again, and tried however I could to come to grips with the magnitude of the loss. No one really knows what it is like to lose someone until it happens. Fathers–as I learned too late–provide an unspoken almost undetectable sense of security.

So many of my early posts were suffused enough with regret and sorrow that I now feel almost embarrassed by their maudlin and self-indulgent character. And yet, as a record of my grief and transfo Continue reading

Kris Kross star died of drug overdose

http://www.nbcnews.com/entertainment/kris-kross-star-died-drug-overdose-6C10519235

We don’t usually just link to news pieces, but I cannot allow the passing of Chris Kelly to go without mention. When I was in junior high, this band was the bane if my existence.

This is not a triumphal post, however. What a pity to lose one so young, one whose life burned so brightly and briefly. His devolution into drugs and denial is a lesson about the emptiness of fame and materialism.

Bu it is also a lesson for all ot us about the fleeting nature of life.

Rest in peace. Jump, jump.