New Music: Saintseneca, “Happy Alone”

“He who can talk to himself, will have no need of another’s conversation”
qui secum loqui poterit, sermonem alterius non requiret
Marcus Tullius Cicero

 

A few days ago, my phone pinged, I looked down and I received the following tweet from my old college friend and our sometime contributor, Another J.

 

 

Another J has known me just slightly longer than my wife has and since we were in a band together and have shared music for over a decade, he knows my tastes pretty well.  He nailed it with this one. I hear some Rogue Wave in the vocals, some Typhoon in the song structure, and some wild vowels that remind me of Frightened Rabbit.  There are male and female vocals. They use acoustic guitars in angry ways. There are backing vocals that go ‘ooh’ and ‘aah’ and they use a banjo in a non-abusive way (unlike, say, Mumford and Sons).

 

Here’s the lead single from the album:

 

 

The only problem is that the album comes out April 1st. I want it now! I listened to the whole album through NPR’s First Listen and I don’t think that this is the best track. It is actually a little conventional–in the way the Decemberists are in the song “July, July”, which is a great song, but rather poppy in comparison to the rest of their ouvre.  Here’s another Saintseneca track with an acoustic bass and some strangeness that reminds me again of some odd combination of the Decemberists and the early days of Arcade Fire (if they unplugged).

 

“Uppercutter”

The facial hair kind of kills me. I don’t feel hip enough to pre-order this album, but screw it. I’ll do it anyway.

 

Also coming in April: some new and fresh posts. I promise.

Written Better Elsewhere: Mumford and Sons vs. Frightened Rabbit

So, my good friend, Another J, just let me know about a piece on the Stereogum.com Deconstructing blog discussing earnestness, indie rock, and the difference between Mumford & Sons and Frightened Rabbit. (“Deconstructing: Frightened Rabbit, Macklemore, and the Perils of Earnestness”).  I like the post, not the least because it taps into the debate my brother and I have been having about Mumford & Sons (he doesn’t like them; I do, a lot, and then less) but also because it compares the band to Frightened Rabbit, a great group I only recently learned about and have been struggling to figure out how to write about.

Continue reading