Songs of the Year—2000 How I learned to stop worrying and love Hip-Hop

Songs of the Year: “Yellow” Coldplay; “The Next Episode” Dr. Dre

Runners-Up: “Get Off”, The Dandy Warhols; “The Real Slim Shady” Eminem

Honorable Mentions: “Boyz N’ the Hood”, Dynamite Hack

The year with big releases by Radiohead and Greenday as well as by tertiary punk bands like Blink-182,  Sum 41 and Good Charlotte saw the charts dominated by acts from the 1980s (U2, Bon Jovi and Madonna) even as other bands released exciting albums ( Bright Eyes’ Fever and Mirrors, The White Stripes’ De Stijl, Coldplay’s Parachute, The Weakerthans’ Left and Leaving, WyClef’s mediocre Ecleftic, The Dandy Warhols’ Thirteen Tales from Urban Bohemia and Outkast’s Stankonia).

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The Worst Concert Ever

“Why should I change? He’s the one who sucks.” Michael Bolton (Office Space)


While many of our comments on and anecdotes about music have to do with music merely as sound, as the score for charged moments in our lives or the cue to dial up vivid memories, music also surrounds us in tactile and physical ways. The Younger J and I have, at different points in our lives, attended many and varied concerts (and too few together). Seeing an artist live and as part of a community of listeners can drastically change the way you engage with music. The live performance returns music to the breathing pulse of the living from the frozen state of recorded sound.

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Songs of the Year—1999

You start a conversation you can’t even finish it.
You’re talkin’ a lot, but you’re not sayin’ anything.
When I have nothing to say, my lips are sealed.
Say something once, why say it again?
–The Talking Heads

Songs of the Year: “Either Way”, Guster; “Psycho Killer”, The Talking Heads

Runners-up: “Steal my Sunshine”, Len

Honorable Mentions: “Thank You” Dido

At the beginning of the year, if I remember correctly, Conan O’Brien attempted to outlaw all soundings of Prince’s “1999” for 12 short months. 1999 was the year of the Y2K panic. It was the year that boy bands were triumphant and when Britney Spears and Christina Aguilera ruled the world. Back then, Carson Daly was on MTV and American Idol was still three years away.

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The Musical Treasure Trove

So, I have been thinking a bit about re-reruns (prompted, I must admit by a This American Life episode about re-runs). This thinking has dove-tailed with some of my thoughts about the repeatability of the cover song and the tension between one ‘performance’ and another. Part of this thinking is a tortured attempt to try to justify what I am about to do today: repeat one of our posts. What happens when you repeat a repetition?

Like my brother, I have found that the busyness of normal life (whatever that means) has gotten to be a bit overwhelming. The end of the semester has brought me a pile of grading, a CV-length of promised articles, and two children who are growing faster than I can imagine. This has kept me (guiltily) from having the time to write a quality post while also making me wonder whether or not this blog is doing what it should.

See, it has been suggested that the posts are too long and too discursive–and, as readership has ebbed and flowed, I have wondered what the worth is. This contemplation lasts a few minutes because, when it comes down to it, I enjoy writing this blog even if the act is entirely masturbatory.

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Songs of the Year—1998 The Next Big Thing

Songs of the Year: “Give Me Daughters”, Jonathan FireEater; “Underground”, Ben Folds Five

Runners up: “Torn”, Natalie Imbruglia; “St. Louise is Listening”, Soul Coughing

Honorable Mentions: “Doo Wop”, Lauryn Hill; “The Rockerfeller Skank,” Fatboy Slim

1998 was the year that alt-rock died. I swear it. Later, it was reincarnated as “Indie”, but the death throes had started the year before. Pearl Jam and 311 (!) released live albums; Green Day went soft with “Good Riddance (Time of Your Life)” and Matchbox 20 acquired yet more fans. It was soon to be Jay-Z’s world and I was merely living in it.

In the year that Alanis finally thanked India, when Shaniah Twain was kept from conquering the world by Celine Dion and Cher and while we all started to endure an overwhelming onslaught of boybands and young R&B performers (Aaliyah, Destiny’s Child, Brandy and Monica), I started to stop listening to the radio.

No Lisa Loeb, for sure

What a terrible year for music—one that anticipated worse years to come. The top three singles? Celine Dion’s “My Heart Will Go On”, Cher’s “Believe”, and Aerosmith’s “I Don’t Want to Miss a Thing”. Napster couldn’t be deployed soon enough. Radio was dying or dead. I was in the dishroom, or behind a bar, or carrying trays of lobsters to tables begging for the radio to be turned off.

When I wasn’t playing bad cover songs or trying terribly hard to put together a band that sounded like Guster, I was probably in a classroom or a dishroom. In abandoning the radio, the Rhythm Guitarist and I entered a seemingly endless search for the next big thing. If we were still playing cassettes, we would have worn out Guster’s Goldfly and Soul Coughing’s Irresistible Bliss. But we weren’t. We had CDs. If you’re careful, they play forever.

The year was short on big things. What was I listening to? I loved the Ben Folds Five live album Naked Baby Photos, was slightly disappointed in Soul Coughing’s last album El Oso, Cake’s immensely disappointing Prolonging the Magic, and the wildly successful and only sometimes cloying You’ve Come a Long Way Baby by Fat Boy Slim. I wasn’t cool enough to know about Bright Eyes’ Letting Off the Happiness (which I wouldn’t hear for four years).

I was cool enough to have the short release Tremble Under Boom Lights by the soon-to-implode Jonathan FireEater. The nearly incomprehensible lyrics on the lead track “Give Me Daughters” detracted nothing from the distanced B3 organ, the throaty and deep voice of the vocalist, and the gritty dirt of the recording. The song structure is loose, but repetitive enough to be memorable.

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Songs of the Year—1997

Go ahead you can laugh all you want
I got my philosophy
Keeps my feet on the ground
And I trust it like the ground
That’s why my philosophy
Keeps me walking when I’m falling down
–Ben Folds Five

Songs of the Year: “Super Bon Bon,” Soul Coughing; “Bury Me,” Guster

Runners-up: “Philosophy”, Ben Folds Five; “Stickshifts and Safetybelts,” Cake

Honorable Mentions: “Firestarter,” The Prodigy; “Tubthumper”, Chumbawumba; “Hypnotize,” Notorious B. I. G.

In 1997, I went to college. I had the grandest of opportunities to re-invent myself. In life, rare are the occasions when you can literally trade in your old mask for a new one. So, I changed my clothes (a little); I broke up with a girl over Limp Bizkit and I went off to conquer the world.

Or something like that.

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Springtime? Nope. Winter is Coming: Game of Thrones is Back, A Song List

TyrionLast year around this time I confessed (ok, reiterated) my own geekiness when I was hyperbolically excited about the fact that Night Riots has a song named “Berelain” after a character from Robert Jordan’s recently (and posthumously) completed Wheel of Time series. I must add, however, that my geek credentials are the real-thing: I get paid to teach about mythology and to write about ancient poetry.

(Well, the credentials are spotty. I mentioned earlier that I actually played a bard to the 21st or 22nd level in a role-playing game. At one point, I actually tried to write music for the fictional character to perform. I am so ever grateful that I don’t remember it and that the internet did really exist to record my follies back then.)

This week? I have been eagerly awaiting the return of HBO’s Game of Thrones. Now, as readers of this blog know, my brother and I occasionally get excited about television, but not too often. We both used to like The Walking Dead. We both really loved Breaking Bad. He gets into things like Doomsday Preppers while I love Buffy the Vampire Slayer (which he will not watch). But Game of Thrones is something that we share. And there is an important reason.

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